3D printing provides a completely new method of fabrication with the
added promise of inexpensive short run production for selected parts.
Not quite manufacturing on demand but close enough. Thus research
is concentrating on producing fired products as the next obvious
advance.
A computer generated personalized and glazed cup or dish is an
obvious market that may even be partly achievable.
This item gives us a glimpse of the current state of this emerging
art.
Could ancient
Egyptians hold the key to 3D printed ceramics?
Issue date: 06
September 2012
Video: Professor
Stephen Hoskins shares more about the latest 3D printing methods in
ceramics in this insightful interview.
A 7,000 year old
technique, known as Egyptian Paste (also known as Faience), could
offer a potential process and material for use in the latest 3D
printing techniques of ceramics, according to researchers at UWE
Bristol.
Professor Stephen
Hoskins, Director of UWE's Centre for Fine Print Research and
David Huson, Research Fellow, have received funding from the Arts
and Humanities Research Council (AHRC to undertake a major
investigation into a self-glazing 3D printed ceramic, inspired by
ancient Egyptian Faience ceramic techniques. The process they aim to
develop would enable ceramic artists, designers and craftspeople to
print 3D objects in a ceramic material which can be glazed and
vitrified in one firing.
The researchers
believe that it possible to create a contemporary 3D printable,
once-fired, self-glazing, non-plastic ceramic material that exhibits
the characteristics and quality of Egyptian Faience.
Faience was first used
in the 5th Millennium BC and was the first glazed ceramic
material invented by man. Faience was not made from clay (but
instead composed of quartz and alkali fluxes) and is distinct
from Italian Faience or Majolica, which is a tin, glazed earthenware.
(The earliest Faience is invariably blue or green, exhibiting the
full range of shades between them, and the colouring material was
usually copper). It is the self-glazing properties of Faience that
are of interest for this research project.
Current research in
the field of 3D printing concentrates on creating functional
materials to form physical models. The materials currently used in
the 3D printing process, in which layers are added to build up a 3D
form, are commonly: UV polymer resins, hot melted 'abs' plastic
and inkjet binder or laser sintered, powder materials. These
techniques have previously been known as rapid prototyping (RP). With
the advent of better materials and equipment some RP of real
materials is now possible. These processes are increasingly being
referred to as solid 'free-form fabrication' (SFF) or additive layer
manufacture. The UWE research team have focused previously on
producing a functional, printable clay body.
This three-year
research project will investigate three methods of glazing used by
the ancient Egyptians: 'application glazing', similar to modern
glazing methods; 'efflorescent glazing' which uses water-soluble
salts; and 'cementation glazing', a technique where the object is
buried in a glazing powder in a protective casing, then fired.
These techniques will be used as a basis for developing contemporary
printable alternatives
Professor Hoskins
explains, “It is fascinating to think that some of these ancient
processes, in fact the very first glazed ceramics ever created by
humans, could have relevance to the advanced printing technology of
today. We hope to create a self-glazing 3D printed ceramic which only
requires one firing from conception to completion rather than the
usual two. This would be a radical step-forward in the development of
3D printing technologies. As part of the project we will undertake
case studies of craft, design and fine art practitioners to
contribute to the project, so that our work reflects the knowledge
and understanding of artists and reflects the way in which artists
work.”
The project includes
funding for a three-year full-time PhD bursary to research a further
method used by the Egyptians, investigating coloured 'frit', a
substance used in glazing and enamels. This student will research
this method, investigating the use of coloured frits and oxides to
try and create as full a colour range as possible. Once developed,
this body will be used to create a ceramic extrusion paste that can
be printed with a low-cost 3D printer. A programme of work will be
undertaken to determine the best rates of deposition, the inclusion
of flocculants and methods of drying through heat whilst printing.
This project offers
the theoretical possibility of a printed, single fired, glazed
ceramic object - something that is impossible with current
technology.
No comments:
Post a Comment