This is one of those problems for
which no easy solution suggests itself.
At best we must accept some reduced level of loss or give up reflective glass
sheets as a design element. Perhaps that
option will turn out to be the simplest and certainly the cheapest.
Recall also that people do walk
into glass also and injure themselves.
It is no trick to apply designs that eliminate the risk. Perhaps a city
competition for such design work is what is called for. Let us employ art work to solve this problem.
The losses are unfortunate but
they are also still modest in terms of actual populations. There are plenty of other reasons birds largely
avoid cities. It is all about the trees. The city of Vancouver has a massive bird population
simply because the city has an aggressive tree planting program. Yet they are only lightly in evidence around
the large buildings.
Yet it still needs to be
addressed. We know how we are going to build so we may as well make sure that
we cause little unwarranted bird losses.
A City of Glass
Towers , and a Hazard for
Migratory Birds
Benjamin Norman for The New York Times
Adriana Palmer, an Audubon bird safety manager, bagging remains.
Published: September 14, 2011
Ms. Laurel is a volunteer for New York City Audubon, and during
the weeks of the fall migration, she is part of a dawn patrol that scans the
sidewalks and plazas of Manhattan, searching for victims of the city’s forest
of glass towers. The other morning she spied the bodies of six that had collided
with the plate-glass ferry terminal at the World Financial
Center .
“We live in an age of glass,” said Ms. Laurel, an architect. “It can be
a perfect mirror in certain lights, and the larger the glass, the more
dangerous it is.”
New York is a major stopover for migratory birds on the Atlantic
flyway, and an estimated 90,000 birds are killed by flying into buildings in New York City each year,
the Audubon group says. Often, they strike the lower levels of glass facades
after foraging for food in nearby parks. Some ornithologists and
conservationists say such crashes are the second-leading cause of death for
migrating birds, after habitat loss, with estimates of the national toll
ranging up to a billion a year.
As glass office and condominium towers have proliferated in the last
decade, so, too, have calls to make them less deadly to birds. The San Francisco Planning
Commission adopted bird-safety standards for
new buildings in July, and this month that city’s Board of Supervisors
will vote on making it law. Legislation is pending in Washington that would require many federal
buildings to incorporate bird-friendly designs.
The United States Green Building
Council, a nonprofit industry group that encourages the creation of
environmentally conscious buildings, will introduce a bird-safety credit this
fall as part of its environmental certification process, called LEED.
There are no easy fixes, however. A few manufacturers are exploring
glass designs that use ultraviolet signals visible only to birds, but they are
still in their infancy. Opaque or translucent films, decals, dot patterns,
shades, mesh screens — even nets — are the main options available. And they
have been a tough sell in the high-design world.
New York City Audubon,
the American Bird Conservancy and other groups are actively pressing for their
use. “I hope there will come a time when putting up an all-glass building is
like wearing a fur coat,” said Glenn Phillips, executive director of New York City Audubon.
“Not that no one will do it, but maybe they’ll think twice about it.”
A group of New York City Audubon
volunteers are gathering evidence of bird collisions this fall at a dozen
buildings, including some of the city’s most prominent structures, like the Metropolitan Museum
of Art, the World Financial Center
and the Time Warner Center .
Most sites were chosen because they feature glass walls next to parkland or
vegetation.
Since 1997, when the collision-monitoring program began, Audubon has
collected nearly 6,000 dead birds, carefully bagging and documenting them. The
group has used the findings to ask for modifications to buildings that prove to
be the worst offenders.
Often, only one section of a building is the culprit. “You don’t
necessarily have to treat every window,” Mr. Phillips said. “It would be
prohibitive to do the whole building.”
Several years ago, volunteers witnessed a slow-motion slaughter at the
Morgan mail processing center in Chelsea ,
where more than 300 dead birds were discovered in 2006 alone. (A row of London plane trees,
reflected in the mirror-like, south-facing facade, was luring the birds to
their death.)
The building’s manager agreed to place an opaque cover over the
windows; the next year, Audubon scouts found no casualties. Other buildings,
like 26 Federal Plaza and even the World Trade Center, when the towers still
stood, erected nets on lower floors to prevent bird crashes.
The Jacob
K. Javits Convention Center, which has been undergoing renovation, is the
most recent building to voluntarily correct the problem of bird collisions.
After pleas from Audubon, the architects, FXFowle, designed retrofitting that
included less reflective glass and a dot pattern.
Some new all-glass buildings are designed so that birds can easily
detect them. Conservationists point to Frank Gehry’s IAC
headquarters in Chelsea
as an example. Horizontal, dotted white bands control the flow of light, while
the curvilinear — almost billowing — facade prevents a mirror effect.
When birds do fly into an angled wall, the result is usually a glancing
blow rather than a head-on collision, conservationists theorize. That may be
one reason why volunteers who survey the Metropolitan Museum
have found few victims outside the Sackler Wing, with its slanted glass
exterior.
But volunteers have found 20 to 120 dead birds a year near the museum’s
vertical expanse of glass facing west into Central Park .
Audubon has suggested nets or a glass prototype that uses ultraviolet signals,
but museum officials have thus far demurred.
“Frankly, the museum has not yet discovered a workable solution for
those parts of the building where this has been a problem,” Harold Holzer, the
senior vice president for external affairs, said in a statement. “We will
continue to monitor developments in technologies.”
About 90 New York
buildings now participate in Lights Out New York,
Audubon’s initiative to get buildings to turn off lights after midnight during
the spring and fall migrations. Bright lights attract and confuse birds. Cities
like Boston , Chicago
and Toronto
also have successful lights-out campaigns.
Exterior lighting is one of many elements in the Green Building Council’s new
bird-collision deterrence credit. “I don’t know of any architects out there who
want to kill birds,” said Brendan Owens, a council vice president. “To the
extent that the LEED credit raises awareness, I think we’ll see more architects
sensitive to these issues, which will lead to more companies developing
solutions.”
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