In the opening scene of The Da Vinci Code, Dan Brown featured a dying man who had inscribed a pentagram onto his stomach with his own blood. Religion, Sacred geometry, and suspense were the ingredients that kept audiences spellbound. But, it was mainly fiction.
A pentagram image was found on the body. (Public Domain)
A completely different story regarding Norway’s conversion was revealed, rather than the hitherto accepted one. Harald discovered what is now called The Norwegian Pentagram, and other enormous geometric patterns with symbolic measurements, constructed with the help of cities built during the conversion years (ca.900-1130) to act as markers. And lo and behold, it was seen that Norway had not been converted by the Roman Catholics as had always been the accepted story.
Astonishing Discovery of Sacred Geometry and Ancient Symbols
The pentagram is for many a mysterious, foreboding, fateful and intimidating symbol. The Catholic Church must take credit for turning the pentagram from a symbol of the sacred feminine to a symbol of the devil. But the pentacle's demonic interpretation is historically inaccurate.
It has had many meanings in many cultures, tracing back in time many thousand years. The use of 1.618, called the Golden Section, or Golden Mean in sacred architecture is prevalent throughout Europe.
Pythagoreans considered the pentagram an emblem of perfection or the symbol of the human being. In a way, you might say it is the fingerprint of God. The pentagram incorporates the Golden Section 1.168. It is constructed using this number, and this number only. It can be said the pentagram is the visualization of the Golden Section 1.618.
The REAL Da Vinci Code: Vitruvian Man. The proportional relationship of the parts reflects universal design. (Public Domain)
After Harald’s discovery of the ‘Norwegian Pentagram’ – enormous geometric patterns with symbolic measurements, and ancient spiritual sites in Norway creating a pentagram across the landscape— a larger mystery now confronted him: who had placed this sacred geometry across the whole of southern Norway?
Norwegian Pentagram (From The Viking Serpent by Harald S Boehlke)
Who may have created a symbolic pentagram in Norway? (From The Viking Serpent by Harald S Boehlke)
Startling History: Celts brought Christianity to Norway?
The research showed that the Celts brought Christianity to Norway, a fact that at best has been played down in our time of ‘enlightenment’. The important part the Celts played in the uniﬁcation and christening of Norway has been hidden behind a veil pulled down by the Roman Catholic Church as they maneuvered into position within Norway, as in the rest of Europe.
In the year 1000 CE, Norway was still a ‘heathen’ country, and contrary to popular belief, it was not the Roman Catholic Church that had struggled to convert the feared Vikings to Christianity. Abundant evidence was found that suggested certain groupings within the Celtic Church had converted the Vikings to Christendom instead. These were Gnostics from the Celtic Church, inﬂuenced by the serpent worshipping Ophites from Egypt and Syria who used the serpent as a symbol of Christ.
[ This makes ample sense considering that England and Norway were then ruled by the Norwegians up until 1066 and then by the Normans who were also Norse as well. arclein ]
After Emperor Constantine in 325CE sanctioned the Christian faith which believed Jesus being the son of god, the Gnostics, Arians, Ophites and other sects were persecuted and dispersed. The persecution of the Gnostics was mainly the work of the influential group that later evolved into what we today call the Roman Catholic Church.
The Serpent on the Cross - The Crucified Serpent, after an illustration in the notebook of Nicolas Flamel (CC BY-SA 4.0)
Stained glass window featuring St Patrick (CC BY-SA 4.0)
The ‘snakes’ that St Patrick drove out of Ireland were the Druidic priests who had serpents tattooed on their forearms. Serpent altars from Cornwall England and from Senhouse Museum, Maryport, Cumbria, England. (Source: Harald Boehlke)
From the ninth century, Norwegian Vikings had settled in the Celtic fringe of the British Isles. From the Orkneys in the north down through Northumberland, Cumbria and Wales as well as areas in Ireland, they made new lives for themselves, mainly as farmers and artisans (a fact that did not exclude the occasional ‘Viking raid’).
[ thus we have the kolbrin bible and its community brought into Cornwall from Lake Superior. arclein]
The heathen Norwegians came into contact with the Gnostic Celtic Church, who from 935-1015 CE, made secret arrangements and engaged in a joint venture with no fewer than three Vikings of royal descent intent upon ascending the Norwegian throne. The Viking kings-to-be made plans to unite Norway as one kingdom, with themselves on the throne. In return for Celtic monetary and administrative aid the Viking kings gave them ‘permission’ to pursue their own ambitions: to convert the Asatru pagans (ancient Norse religion) to Celtic Christianity. The Celtic Church was intent on using Christian magic to consecrate and conquer the land and its people, inaugurating one king and one religion. They traded their knowledge of how to pacify a rebellious population by introducing religion, piousness, and ecclesiastical laws enabling their Viking mentors to ascend the throne, and keep it.
The Celts ﬁrst made contact with the son of the Norwegian Viking-king Harald ‘Fairhair’, the young Haakon. During the ﬁrst half of the 10th Century, Haakon was brought up at the court of the Wessex king Athelstan.
Haakon ‘The Good’, son of Harald Fairhair (Public Domain)
[ this opens another avenue of inquiry. The Kolbrin could well contain Gnostic scripture itself. However the lack of reference to Christianity makes this suspect. - arclein ]
After the death of Haakon (ca. 961 CE), the Celtic clergy cooperated with the famed Viking king-to-be, Olav Tryggvason and later with Olav the Holy. These three constitute the most renowned of the Norwegian Viking rulers.
Sacred Symbols, 666, and the Golden Ratio
When the Celts arrived in Norway, they founded cities and monasteries as sacred markers. They and their Viking collaborators removed old cities that did not ﬁt into the sacred pattern—a pattern that resulted in a gigantic pentagram stretching across southern Norway.
The drawing of a man's body in a pentagram suggests relationships to the golden ratio. By Heinrich Cornelius Agrippa, circa 1510. (Public Domain)
In The Viking Serpent, Harald demonstrates how they were all laid down according to the ‘Golden Ratio’.
Norway’s two round churches mark the two extremities of the main geometric marker line. The resulting pentagram is inscribed in a circle measuring 666 miles in circumference - the number of the Beast symbolizing Christ as the serpent, as shown in the Gnostic Nag Hammadi texts found in the Egyptian desert in 1945.
The Apocalypse of Peter: Gnostic Nag Hammadi text, circa 100 and circa 200 AD (Public Domain)
The saga writer Snorre Sturluson noted that king Olav (the third ally of the Celtic Church), on his return to Norway from the British Isles in 1015 CE, used the serpent as a symbol on his helmet and banner. In an old saga of which only fragments remain, the burial of St. Olav also reﬂects the number 666. The stave churches, unique to Norway, were built during these times.
Borgund Stave Church, Laerdal, Sogn og Fjordane County, Western Norway (CC BY-SA 3.0)
Borgund Stave Church with wooden serpent architecture (CC BY-SA 4.0)
Borgund Stave Church clad with what looks like scales (CC BY-SA 4.0)
Serpent carvings adorning the church portal (Kind permission from Norwegian Directorate of Cultural Heritage)
Interesting too is the story of a Celtic princess, Sunniva, escaping barbaric ‘suitors’ by setting to sea in a frail Celtic wicker-and-hide craft. According to lore, she landed with her entourage on a small island on the ﬁercest part of the Norwegian coast and became Norway’s very ﬁrst saint.
Medieval statue (dated c. 1200) Found in Urnes stave church, Luster, Western Norway, which may be St Sunniva. (CC BY-SA 2.0)
The sacred geometry of Norway does not limit itself to the enormous pentagram: According to old legends, a certain Norwegian island called Sandøy, or ‘Sandy Island’ is connected to Scotland under the sea. It just so happens that the northwestern upper point of the enormous pentagram falls upon a small island called Sandsøy, or ‘Sandy Island’. On this island, facing the sea, we ﬁnd the Dollstein cave, which has an intriguing history. Myths tell of treasures hidden in the cave, sought by the Orkney earl Ragnvald in 1127. Even myths about King Arthur are weaved into the island’s lore!
The sacred geometry in the landscape of Norway is so ingeniously contrived, it is difﬁcult for us to understand how it was done. Certainly, the builders’ skills of surveying far surpassed anything historians have been willing to give them credit for. The Norwegian Pentagram and the Viking Serpent will undoubtedly prove to be important additions to our understanding of our forefathers’ skills and beliefs, as well as lifting the veil that the Christian church, historians and archaeologists have lowered over our eyes.
Harald S. Boehlke was born into a Norwegian diplomat family in Oslo, Norway in 1946, and has lived in five different countries. His main interests lie in archaeology, history and art—and shining a bright light on hidden mysteries. Harald is author of The Viking Serpent. | Visit TheVikingSerpent.com
Top Image: Borgund Stave Church (Eduardo/CC BY-SA 2.0), pentagram, Vitruvian man, and serpent (Public Domain); Deriv.
By Harald Boehlke