Bull’s-eye!! We have just discovered that extensive ring
structures throughout the South African Veldt were fabricated from ring stone
powerfully supporting the conjecture of the deliberate production of field
generating torus with the capacity to stimulate enhancement of what is known as
spiritual capabilities. This ring stone
exhibits the same capacity that the stones of Stonehenge. They are metamorphic tightly crystalline
material that can even be tuned.
Suddenly the
architecture of Stonehenge can be explained.
It is the lintels that carried the powerful field and likely
strengthened by the pillars. We need to
reconstruct Stonehenge. It will turn
out to be very important.
Again we are
facing the issue of age. The stones in South
Africa suggest a great age. I have gone
so far as to suggest that we are looking at the remnants of Eden circa 200,000
BP through 45,000 BP. Yet Stonehenge
appears fully part of the Early European Bronze Age or Atlantean world into
which I can easily fit the South African rings as well. We may be looking at extensive reconstruction
of rings during the Bronze Age to assist Gold mining.
For now we have
the easy solution of simply accepting a Atlantean global trade culture we know
about already that created all this. At
least I now know what I am looking at.
The Eden
conjecture is also intact but the vast prehistory which fits this geography
very well and the cultural sources as well remain elusive. Eden may well have been established from
9000BP through perhaps 5000 BP before the cessation of long lifetimes of the
original colonists ala Noah allowed disintegration.
As at this
writing I have had no difficulty in filling in the blanks after the Pleistocene
Nonconformity which occurred approximately 13,000 BP. So while the earlier Eden conjecture makes
complete sense, all we have is a combination of cultural evidence which could
be merely an echo of a later Eden in the Post Pleistocene Nonconformity world
and Adam’s stone in particular which is dated as pre event. We have a long ways to go but we are painting
in the blanks with interesting details.
Rock
the bells: Stonehenge pieces may have been chosen for acoustic properties
Stonehenge has been the source of endless speculation since the
strange formation of rocks was first discovered.
But a new theory may be the most interesting of all, with some now
saying the rocks at Stonehenge were chosen
because of their acoustic properties.
“There had to be something special about these rocks,”
‘Archeo-acoustic’ expert Paul
Devereux told the BBC. “It hasn't been considered
until now that sound might have been a factor.”
Devereux led a project by the Royal College of Art in London,
which attempts to understand how ancient humans perceived their world. The
study results, published in the journal Time and Mindfound that a number of
the bluestone rocks at Stonehenge emitted sounds similar to bells when they are
struck.
If the stone’s sonic properties were a motivating factor for those
who transported them approximately 200 miles to the Stonehenge site, it may
help further explain why some historic artifacts have claimed the rocks had
mystical properties. Earlier this month, researchers said they had pinpointed
the exact location that a number of Stonehenge’s bluestones
were originally transported from.
However, the new research has ultimately raised even more questions as to how
exactly ancient humans were able to transport them over such a great distance.
In addition, the study found that a number of the bluestones at
Stonehenge show evidence of having been physically struck.
“When struck, some make a range of metallic sounds, from pure
bell-like tones to tin drum noises to deeper gong-like resonances,” Devereux
and his colleagues write in the study, noting that about 5 to 10 percent of the 1,000
plus rocks they tested emitted the unusual sounds .
In fact, the diverse set of sounds emitted from stones in the
study suggest that rocks at Stonehenge may have been used to create a virtual symphony to the ears of the
ancient world.
“There's
lots of different tones, you could play a tune,” Devereux told the BBC. “In
fact, we have had percussionists who have played proper percussion pieces off
the rocks."
1 comment:
When I was at Stonehenge 30 years ago (before it was fenced off), I could feel the stones vibrate. One of the psychic images I got was of giant tuning forks. Nice to know I was right.
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