After Finding Fame on Instagram, Anna Weyant’s Art Now Sells for Millions

we do not have an infinite supply of excellent artists.  Thousands train and become perhaps effective but never really great.  A skilled eye can recognize worthy work.  This obviously creates a market.

Today, social media allows all artists to stand in front of skilled eyes, and better still it allows eyes to also become skilled.  Most work of merit is firstly, good enough to be noticed by all skilled eyes.  It is literally good enough.

Then it is discussion and yes, buying the odd piece that establishes an artist.  It somehow becomes better than good enough.

Thanks to social media, this is now happening in real time and that is good.

Here is a contemporary artist, my daughters friend and yes, she owns a piece.

https://www.debchaney.com/public-art

How many Deb Cheneys are there?  Again it is a finite number.

After Finding Fame on Instagram, Anna Weyant’s Art Now Sells for Millions

At 27, she is one of the art world’s youngest rising stars

Elizabeth Djinis

Daily CorrespondentJune 23, 2022 8:20 a.m.

Anna Weyant’s Josephine, which sold more than $500,000 at a Sotheby’s Hong Kong auction Sotheby’s

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Painter Anna Weyant’s story sounds like a modern-day art fairytale, and in the pens of some journalists, it reads like one. Just five years after she graduated from the Rhode Island School of Design, her paintings are already selling for more than $1 million at auction—sometimes at several times the estimated price.

Weyant’s paintings, with their dark hues and highlighted sheen of opulence, depict at once stark and quotidian scenes of young women managing the joys and indignities of adolescence. Per ARTnews’ Alex Greenberger, her influences range from 17th-century Dutch Old Masters to more contemporary artists like John Currin.

“Imagine Botticelli as a millennial, whose porcelain-skin beauties also pop one leg high like the Victoria Beckham meme or sport gold necklaces that read, ‘Ride or Die,’” the Wall Street Journal’s Kelly Crow writes.

In May, Weyant became the youngest artist currently represented by world-renowned Gagosian Gallery, according to ARTnews’ Alex Greenberger. (She is also dating the gallery’s founder, Larry Gagosian, and their relationship has been the subject of art world gossip.) Her paintings—she has created roughly 50—have been displayed in exhibitions in several American cities, and she’s received top placement at Christie’s, Sotheby’s and Phillips, according to the Daily Beast’s Helen Holmes.

“I first caught wind of Anna Weyant last summer,” Lucius Elliott, head of the Sotheby’s Now Evening auction, tells the Daily Beast. “There was clearly a lot of appetite in the market for the works. They were very hard to access at a primary level; the show had sold out.”

But art critics like Jerry Saltz, who first posted some of Weyant’s pieces to his Instagram in 2019, worry about the speed of her ascent, considering the volatile whims of the art world.

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“The art world loves to devour its young,” Saltz tells the Wall Street Journal. “It can be difficult to paint with another voice in your head whispering numbers and prices, but maybe she can.”

Anna Weyant’s Falling Woman, which sold for $1.6 million—a record for the artist—in May 2022 at Sotheby’s Now Evening auction Sotheby’s

Weyant didn’t aspire all her life to be a world-renowned artist; it just sort of happened. She grew up in Calgary, Canada, but she wanted to be in New York. She enrolled in the Rhode Island School of Design because it was the closest school to the city that accepted her, per the Wall Street Journal. The summer after her freshman year, she entered a contest with the National Gallery of Canada, where she placed in the top three. By the next year, she was painting young women and girls.

“Being new, confused and homesick in a new country, I was just scared,” Weyant tells the Wall Street Journal. “I remember thinking that if I could transfer my fears to the woman I was painting, at least I had another person in the conversation with me.”

At first, Weyant’s paintings found fame on Instagram, where critics like Saltz propelled her work to even larger audiences. Through some well-timed connections, she held her first solo exhibition at the New York gallery 56 Henry in 2019. Every piece in the show sold at between $2,000 and $12,000, a fraction of what they might now yield.

Looking ahead, Weant is preparing for an upcoming solo show at the Gagosian this fall. Her style is shifting, the Wall Street Journal writes, and her subjects are now “taking up bigger canvases and sporting ruby lips and ponytails.” She’s watching Lifetime movies for research. All the while, the art world remains engrossed, watching her.