A bit here on the long history of the Star of David which is a recent addition to hte Jewish tradition but long used in India. It is plausibly a natural symbol for the lotus although that really needs to be four squares instead.
I do suspect that these ancient symbols were actually associated with Bronze age science and mathematics. They are certainly suggestive and recall that the lotus is the natural symbol for the elements themselves. In have not posted to that yet but I will.
From this it becomes obvious that adoption by Judaism may even be inappropriate however originally justified. Three hundred years in the face of a five thousand year esoteric tradition looks like a whim when no direct link is established.
Swami B.G. Narasingha
Feb 6 2009 - Krishna Talk 84
The Star of David [in Hebrew, the Magen David or Shield of David] is renowned as the sacred symbol of the Jewish faith. Indeed, the Star of David is the distinguishing feature on the Israeli flag and as an ornament of jewelry the Star of David is proudly worn by millions of devout Jews worldwide. Yes, the Star of David is purely Jewish. Or is it?Recently, while visiting the holy city of Jerusalem, I purchased a silver pendant of the “Star of David” from a local shopkeeper and when I put it around my neck I was asked:
“Why are you wearing a Jewish symbol?”
To this I replied:
”This is Sat-kona, the symbol of Goloka, the abode of Krsna.”
This article is about the origins of Sat-kona [the Star of Goloka or Goloka-yantra], its transcendental significance, its historical use in Vedic and other ancient cultures, its use in Christianity and Islam, and its eventual adoption by the Jewish faith in the 17th century as a popular symbol of Judaism.
Symbols have long been a part of the histories of the world's great civilizations and Sat-kona is no exception. Before it appeared in the west, from the most ancient of times to the present day, Sat-kona has been at the heart of spirituality in India. The Sat-kona [the six pointed star with a hexagram within, defining sacred space], is constructed by joining two perfect triangles — one pointing upward signifying Purusa and the other pointing downward signifying Prakrti. It is the oldest spiritual symbol known to the world. Sat-kona has been around since the beginning of the universe. We do not expect to find any archaeological evidence to support this statement, however, from sastra, Vedic literature, the evidence is there.
In the oldest known Vedic literature, Sri Brahma-samhita [in that it has been attributed to Lord Brahma and composed shortly after creation], the Sat-kona is mentioned in a description of the supreme abode of Goloka, the abode of Krsna.
karnikaram mahad-yantram sat-konam vajra-kilakam
sadanga-satpadi-sthanam prakrtya purusena ca
premananda-mahananda-rasenavasthitam hi vat
“The center of the divine lotus is the core — Krsna's residence. It is presided over by the Predominated and Predominating Moiety. It is mapped as a hexagonal mystic symbol [sat-konam]. Like a diamond, the effulgent Supreme Entity of Krsna, the Fountainhead of all divine potencies, presides as the central pivot. The great mantra of eighteen syllables [Gopala-mantra], which is formed of six integral parts, is manifest as a hexagonal place with six-fold divisions.” [Sri Brahma-samhita, Ch-5, Tx-3]
tat-kinjalkam tad-amsanam tat-patrani sriyam api
“The core of that eternal holy abode which is called Gokula is the hexagonal land of Krsna's abode. The stamens or petals are the residences of the cowherds or Gopas, who are Krsna's own, His dear most friends and high loving devotees that are a part of His own self. Those abodes appear like many walls, all beautifully effulgent. The extensive foliage of that lotus constitutes the sub-forests that are the abodes of the loving damsels of Krsna, headed by Sri Radhika.” [Sri Brahma-samhita, Ch-5, Tx-4]
In the practice of devotion [krsna-bhakti] three important items are given to the devotee to help him/her realize the Supreme Reality, i.e. mantra, yantra and Sri Murti. Mantra is the sound representation of the Supreme Reality, yantra is the mechanized or symbolic representation of the mantra and the Sri Murti is the three dimensional [personal] form of the mantra made manifest to the senses of the devotee to receive his or her service.
Overall, in contemporary Gaudiya Vaisnavism, yantras are no longer in vogue as they were in olden times. Preference has been given to Sri Murti who is worshiped with the appropriate or corresponding mantras. Although yantras are for the most part no longer in use amongst Gaudiyas, this was not always the case. In bygone days all branches of Vaisnavism were frequently found to use yantras in their daily worship and meditation.
The description given in the purports of Brahma-samhita says that the Gopala-mantra [klim krsnaya govindaya gopijana-vallabhaya svaha] manifests as the six sides of the hexagonal figure [Krsnaya, Govindaya, Gopijana, Vallabhaya, Sva and Ha] and that the bija [klim] is the central pivot.
Sat-kona is set up in such a way that those who attend the yantra by meditation and who are deeply aspiring to enter into Krsna's divine pastimes must first realize six objectives of the mantra, i.e. 1) the intrinsic form of Krsna [Krsnaya], 2) the intrinsic form of Krsna' pastimes in Vraja [Govindaya], 3) the intrinsic form of Krsna's intimate attendants, the Gopis [Gopijana], 4) the intrinsic form of full self-surrender unto Krsna, in the wake of those who are Krsna's beloved [Vallabhaya], 5) the pure soul's intrinsic form of divine cognition [Sva], and 6) the intrinsic nature of the soul to render transcendental loving service unto Krsna [Ha].
One who by virtue of being well established in such realizations of the mantra attains firmness [nistha] in the soul's engagement of divine service [abhidheya] and ultimately achieves the supreme goal of life [prayojana] by being engaged in spontaneous transcendental loving service to Krsna in the ego of a maidservant of Srimati Radharani.
At the stage of practice [sadhana], by the grace of the mantra assisted by Sat-kona, the manifest pastimes of Krsna in Gokula may appear in the heart of a devotee. And at the stage of perfection [siddhi] a devotee may realize the unmanifest pastimes of Krsna in Goloka.
At the beginning of the 20th century the great Gaudiya Vaishnava acarya, Sri Bhaktisiddhanta Sarasvati was inspired by the descriptions of Krsna' supreme abode in Brahma-samhita and thus incorporated the Sat-kona into the Gaudiya Matha logo. Indeed the logo of the Gaudiya Matha is in itself a Vaisnava yantra.
At the center of the hexagonal in the Gaudiya Matha logo, Sarasvati Thakura placed the bija-mantra Om [in place of klim] along with nama. In the six points [sat] of the Sat-kona he placed the six opulences, i.e. fame [yasa], beauty [sri], knowledge [jnana], renunciation [vairagya], wealth [aisvarya] and strength [virya].
In line with the purports of Bhaktivinoda Thakura in Brahma-samhita, Bhaktisiddhanta inserted Om in place of Klim to show that Klim and Om are non-different. Sahajiyas, and others of his time were of the habit of neglecting mantras such as Om and Brahma-gayatri, whereas Bhaktisiddhanta was of the practice to show how everything in its deeper meaning is related to Krsna. Bhaktivinoda's purport states as follows:
“The Gopala-tapaniya Upanisad states, tasmad omkara-sambhuto gopalo visvasambhavah, klim omkarasya caikatvam pathyate brahma-vadibhih. Omkara means Gopala, who is both Potency and the potent, and Klim means Omkara. Therefore, Klim or the primary desire seed [kama-bija] expresses the transcendental reality of Sri Sri Radha and Krsna.” [Sri Brahma-samhita, purport, Verse 4]
Furthermore, Sarasvati Thakura used the Sat-kona yantra as the floor plan for the temple of Sri Sri Guru-Gauranga-Gandharvika-Giridhari at Sri Caitanya Matha in Mayapura.
In the Vaisnava canon we find mention of numerous yantras such as the Visnu-yantra, Laksmi-yantra, Gopala-yantra, Radha-yantra, Sudarsana-yantra and Gayatri-yantra, etc.
The following is a verse in praise of Sudarsana from Sri Vaisnava pancaratrika texts mentioning Sat-kona:
sankham cakram capam parasu- masimisum sula pasankusastram bhibhranam vajrakhedau hala musala- gada kuntam atyugra dhamstram jvala kesam tri-netram jvalad - anala-nibham hara-keyura bhusam dhyayet sad-kona samastham sakala ripu jana prana samhara cakram
"O great Cakra, remove the life of all our enemies. I meditate upon You, residing in the middle of the Sat-kona holding conch, cakra, bow, axe, sword, trident, noose, goad, missile, thunderbolt, plough, pestle and mace. You have terrible fangs, fiery hair, three eyes and you have the intensity of a raging inferno and You are adorned with ornaments and necklaces."
The above-mentioned yantras are today mostly used by orthodox sections of Vaisnavas in India [Sri Vaisnavas and Madhvas] and are more or less ornamental, rather than functional, in the daily sadhana of Gaudiya Vaisnavas. But in due course these yantras may again find their way back into more popular usage.
Hindus, Jains, Tantrics, Smartas, Mayavadis, Saktas, Saivaites and Buddhist sects in India, Nepal, China, Tibet, Sri Lanka and other countries in Asia use and have used the symbol of Sat-kona throughout the ages.
Tracing the Sat-kona through history has been an interesting research project. It was not possible for us to find all the places or cultures across the ages that employed the Sat-kona in their symbolism. Nonetheless, it became evident that Sat-kona had enjoyed a most extensive use both in the ancient and modern world — from the temples of India, to the Ring of Solomon, from the Carthaginians, to the Greeks, Romans, Christians [Catholic, Orthodox and Coptic], Muslims and Medieval Alchemists.
Indeed, all the examples of Sat-kona that we turned up in our research were not necessarily of a particular religious or spiritual significance and could easily be seen as simply ornamental, such as some of those used in Roman mosaics, etc. Some of the more interesting specimens of the Sat-kona that we did discover are as follows:
In the Vorderasiatisches Museum in Berlin are presented several cylinder seals, dated to c.2500 BCE, decorated with celestial symbols showing stars with six, seven, eight and more points. These stars appear there in an astrological context or in an astronomical context. Among them there is a circle surrounded by six triangles, which are like the Sat-kona. [Click to enlarge]
A Sat-kona can be found on the 'Black Obelisk' of Shalamaneser III in Iraq. This obelisk was erected in the Assyrian city of Nimrud as a public monument in 825 BCE at a time of civil war. In one of the panels on the monument there is a six-pointed star with a hexagram above King Jehu's head. [Click to enlarge]
In the Heraklion Museum in Crete there is the ancient Phaestos Disc made from fired clay. The disc has many carvings. One of the carvings is a circle with six dots in the shape of Sat-kona with a seventh dot in the center. Although at a glance the arrangements do not jump out at us as a Sat-kona, still scholars assure us that it is. This disc dates back to 1700 BCE.
Coins have been discovered in Carthage (modern day Tunisia in North Africa) bearing the Sat-kona insignia. These Phoenician coins date back to the 5th Century BCE.
The Kagome Crest can be found in some of Shinto oldest shrines in Japan dating back to the 5th Century BCE. At the Ise Grand Shrine that was built for the Imperial House of Japan, a symbol resembling the Sat-kona is carved on all the lamps along the approaches to the shrine.
In the Metropolitan Museum of Art in New York there is a Greek Terracotta Drinking Cup, which is dated to ca. 560 BCE. This cup shows Hercules fighting an Amazon. In the middle is a six-pointed star. Aside from the inner hexagram, the stylized composition imitates Sat-kona when lines are drawn between: arms, toes, heads and knees.
7) SRI LANKA
A Sat-kona yantra was found at Kataragama in Srilanka, a famous pilgrimage site for both Hindus and Buddhists. The carving dates back to the 3rd Century BCE. This carving with a Tamil 'Om' in the center is found in the Museum für Völkerkunde, Basel.
Several Stars of David [Sat-kona] of great antiquity have been found in Israel but all of them date back to before the Jewish faith had actually adopted the symbol to represent them. Sat-kona has been found engraved on jar handles at Gibeon, Israel, and dated to the late period of the Israeli Kingdom of the First Temple (6th Century BCE). However, archeologists reckon that they were copies of Greek emblems from Thasos and Carthago that served for the marking of wines. Other Sat-konas have been found in Caperneum but may have belonged to Roman temples. On a wall of a room in Meggido there was found a Sat-kona drawn in lines. This has been dated as 8th Century BCE.
At Jericho a very large size Sat-kona, the most famous in Israel, was found at Hisam's Palace. The Muslim ruler Al-Walid ibn Yazid built the palace in 743 CE.
A Sat-kona was found on seals dating back to the 3rd Century BCE in Egypt as well as weights dating back to the 2nd Century BCE.
Throughout the Roman Empire there were discovered tens of archaeological findings with the shape of the Sat-kona.For example more than ten such mosaics were discovered in Pompeii, Italy, and since it had been ruined by Mount Vesuvius Volcano eruption in 79 CE it is certain to date them to the first century CE at the latest. Similar mosaics were discovered in Gaul (Latin: Gallia), Hungary, Greece, Syria, Turkey, Tunis. Other such archeological findings from this period were discovered in Roman temples in Jordan and in Lebanon.
The Mayan citadel of Uxma in Mexico shows several examples that resemble the Sat-kona. It is believed by Mesoamerican scholars that these symbols represented the sun. Uxmal was built around 700 CE.
A ring was found in the Lebanese city of Sidon with the shape of Sat-kona, which was dated from the 7th Century BCE. Sidon was one of the most important Phoenician cities and may well have been the oldest.
In his book The Sacred Bride, Dr. Manoshi Bhattacharya wrote that the earliest evidence of the Sat-kona symbol was found among coins from the excavation of the city of Ujjain in India. The coins have been dated to be 2000 - 3000 years old. These coins came into the possession of Colonel James Tod, the Political Agent to the Western Rajput States of India in the early 1800s.
Also in India, Hisam Palace the Moghul Emperor, Akbar [16th century CE] rode into battle and presided over his court with the Sat-kona embossed on his royal shield.
With a little research one can find images of Sat-kona almost everywhere and sometimes in the most unsuspecting places such as on the American one-dollar bill. There the symbol is placed above the American Eagle by aligning 12 stars in the shape of Sat-kona with a 13th star in the middle. This very much resembles the Sat-kona of the ancient Phaestos Disc.
Some other interesting places where Sat-kona has appeared are as follows: Fort Santiago in the Philippines [1592 CE], Quanzhou, China [920 CE], Sinca Veche, Romania [100 CE], Mongol coins [500CE], a Saxon spearhead [200 CE], a three cent coin, United States of America [1851 CE], Saint Peters Basilica, Rome [1500 CE], a Christian tomb in Wales [100 CE], Bakhchysaray Mosque [1500 CE], Akbar's Palace at Fatehpur Sikri [1500 CE], Samanid coin, Iran [800 CE], and a glass jar from Arabia [1000 CE].
Romania [100 CE]
Saxon spearhead [200 CE]
3 Cent U.S. Coin
St Peters Basilica, Rome
Mosque [1500 CE]
Akbar's Palace at
Fatehpur Sikri [1500 CE]
Iran [800 CE
Wales [100 CE]
jar [1000 CE]
Sat-kona has also enjoyed popular use among alchemists. Alchemists of old and particularly those from the 5th century to the 15th century in Europe and the Middle East were very consistent in their use of Sat-kona. For most cultures the Sat-kona symbolized male [the upward triangle] and female [the downward triangle] or just something auspicious, but for the Alchemist the Sat-kona symbolized fire and water. Alchemists also used the Sat-kona to represent the six planets [each of the 6 points] and the sun was in the middle of the hexagram. The symbol universally represented the art of Alchemy for Muslims, Christians and Jews as the representation of the combination of opposites and transmutation.
In Medieval Europe the Sat-kona was also accepted by common people as having healing powers and being able to ward off demons.
For the Jews themselves the use of Sat-kona as the Star of David was a gradual development beginning with the Talmud sometime in the 3rd century CE. The Talmud mentions the Magen David [Shield/Star of David] but without connection to its shape. Later in the 6th century the Kabbalah again mentions the Star of David. However, the Star of David only takes shape for the first time between the 12th and 14th centuries.
It so happens that during the Middle Ages, the “Star of David” was frequently found on churches [such as Saint Peter's Basilica in Rome] and even in mosques, but was absent in synagogues. It was also conspicuously absent as a symbol in Jewish books and on ritual objects.
From ancient times to the Middle Ages, the Jews possessed no particular national or religious symbol. It was generally the Menorah [seven flame candle stick] that was commonly associated with the Jews.
In 13th century Spain the Sat-kona was known as the Ring of Solomon [Seal of Solomon] by the Jews; from the 13th until the 15th century, both names were used simultaneously, Ring of Solomon and Star of David. It was only later that the term Star of David gradually became dominant in Ashkenazi Jewish communities, while King Solomon's Seal became identified with the pentagram (5 pointed star).
As a popular Jewish symbol, Sat-kona did not find its place permanently in Judaism until European Jews adopted it in 1648 CE. The beginnings of Sat-kona as a Jewish symbol are told in the following narrative.
The history of the contemporary Star of David begins in Prague. During the last part of the Thirty Years War, the Swedish army besieged Prague. The town was mostly defended by the citizens' militia, including a Jewish unit. When the Swedes did not succeed in taking the city, German Emperor Ferdinand III wished to assign honor flags and other decorations to all the various units of the citizens' militia. This included the Jews.
The Emperor couldn't decide on what symbol to put on the flag, which was to be assigned to the Jews. Even the emperor's 'court Jews,' the Openhaimer Family were perplexed on what to do. After some discourse it was decided that the two intersecting triangles, once believed to have been used by King David and also by King Solomon, was adopted'
The Jewish community liked this symbol and it spread to those towns that had ties with Prague, and began to be used in synagogues and during festive occasions. The new symbol became so popular that rumors circulated that it had magical powers. Stories of the power of the Star of David spread as far as Yemen where it was even said that the ancestor of the Rothschild family had succeeded in exorcizing the devil from the emperor's daughter by the power of the Star of David.
King David was succeeded by his son Solomon. Ancient myth alludes to King Solomon possessing a ring of magical powers. The myth of the Ring of Solomon was principally developed by Arabic writers who claimed that God gave the ring to Solomon. The ring is said to have had the name of God engraved upon it. But this posed a problem with the Jewish community as Jewish law forbade the Jews to write the name of God. Thus it was conceded that the six pointed star and later the five-pointed star is what King Solomon had inscribed on his ring. Medieval Jewish, Christian and Islamic legends believed that King Solomon commanded demons and spoke with animals by the power of his ring.
Ring of Solomon
One Islamic narrative says that the demon Sakhr deceived one of Solomon's sisters into giving him [Sakhr] the ring. Sakhr then ruled for forty years while Solomon wandered the land in poverty. Eventually Sakhr [for some unknown reason] threw the ring into the sea, where it was swallowed by a fish, caught by a fisherman, and served to Solomon. Having thus retrieved the ring Solomon then punished Sakhr by making him to build a great mosque for Solomon.
Although this story sounds quite similar to that of “The Lord of the Rings” by J.R.R. Tolkien, scholars are of the opinion that the myth was actually derived from the Greek story of the Ring of Polycrates, related by Herodotus in the 5th century BCE.
That Sat-kona became a universally auspicious and spiritual symbol throughout the ancient world there can be no doubt, but it is in the motherland of India that Sat-kona was used and continues to be used most extensively.